History and Heritage
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Title | History and Heritage |
Authors | |
Abstract | We come to music therapy with musical expectations. Clients do. Therapists do. We come to music therapy with expectations colored by our personal history of music, which is - of course - embedded in culture. I came to music therapy more than 20 years ago with quite mixed expectations: preferring music with a rough edge, strong rhythms, and bold discords, but also longing for - though maybe not so consciously - the soft sound of romantic songs. The first sound of music therapy I ever heard was Paul Nordoffs improvisations. He died the year I "discovered" music therapy and I never heard his live playing, but recordings of the clinical work he did together with Clive Robbins were presented to me by the Norwegian pioneers of music therapy, and I was immediately fascinated by the rough and romantic sound of his music. |
Publisher | Grieg Academy Music Therapy Research Centre, Uni Health, Uni Research |
Date | 1970-01-01 |
Source | Voices: A World Forum for Music Therapy Vol 1, No 2 (2001) |
Rights |
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